| Website: | | | | deceased cult figures such as Jimi Hendrix, Janis Joplin |
| HOW AND WHERE TO SELL OLD PHONOGRAPH | | | | and Jim Morrison. Also, brisk trading now occurs |
| RECORDS | | | | among collectors of 45s, especially among the 1950s |
| Have you studied your ABCs lately--that is Attics, | | | | rhythm and blues and early rock artists. Great interest |
| Basements and Closets? They could yield up some | | | | maintains in rare and unusual (foreign issues, etc.) in |
| extra money and free up some valuable space in your | | | | Elvis and the Beatles. However, most of their records |
| home for other uses. LPs (long-playing 10 and 12 inch | | | | have little value because so many were produced |
| discs, playing at 33 1/3 revolutions per minute), 78s | | | | without any distinguishing characteristics. In other words |
| (easily breakable discs, playing at 78 revolutions per | | | | they were all the same. |
| minute with one tune on each side) and 45s(7 inch | | | | WHO WILL BUY YOUR RECORDS? |
| discs playing at 45 revolutions per minute) may be | | | | Records are purchased by collectors, mail order |
| valuable. | | | | dealers, used records stores and the general public, |
| Record collecting as a hobby is just beginning to grow | | | | sometimes on a nostalgic impulse or because of a |
| after many other collectibles have been prominently | | | | favorite artist. For truly rare records the best prices will |
| featured in antique stores and the media. It is not an | | | | come from dealers who know the market and for |
| expensive hobby to establish, but disposing of them | | | | how much they can resell them. Collectors are |
| can be expensive in many ways. | | | | emotional and sometimes fanatical collecting their |
| HOW DO YOU RECOGNIZE VALUE | | | | specialties. They may pay top prices for particular |
| Many people think that just because a record is old | | | | idiosyncracies. It is unusual to get top dollar for a rare |
| that it has great value. Very few records have any | | | | record from the "general public', where only the |
| real value to collectors or dealers. Value is based on a | | | | performance value is recognized, not the resale or |
| combination of three factors - | | | | trading value. Painstaking research and knowledge of |
| (1) Supply and demand. How available is the record? If | | | | the record industry and its artists is required to |
| millions were initially sold it is likely that many will turn up | | | | determine the value of a particular recording. It may be |
| in thrift shops, used record stores and in many homes. | | | | possible to determine a value for a "rare" record once |
| The scarcity factor must be present. There must be a | | | | you have determined that it is truly rare. |
| demand for that record because of the artist | | | | WHAT WILL THEY PAY? |
| performing (e.g. a major talent who died young and | | | | Most records that are not "rare" can bring only pennies |
| before being able to make many records), the label on | | | | - 25 cents to a dollar - from dealers. The "general |
| which it was recorded (the original recording as | | | | public" may pay $1 or $2. Rare records can bring from |
| distinguished from a "reissue"), or an oddity concerning | | | | $25 to the thousands. There are a number of price |
| the record(e.g. a V-disc, wartime government recording | | | | guides published, but values indicated are generally |
| or aircheck-taken from a radio broadcast, an original | | | | highly inflated or based on an isolated sale. Obviously, |
| picture disc or a 10-inch LP). The scarcity factor can | | | | collectors and dealers want to read that records can |
| also be affected by whether a record is | | | | bring high prices. Remember, value rests in the mind of |
| "out-of-print"(no longer available from the | | | | the buyer. |
| manufacturer) thereby decreasing the supply. | | | | HOW DO YOU FIND A BUYER? |
| "Bootlegs" (records illegally produced from live | | | | A buyer for every record you wish to sell probably |
| concerts or broadcasts) are also valuable to collectors. | | | | exists somewhere in the world. How to find that |
| (2) Condition of the record. Those with surface noises | | | | person is a big problem. It is not uncommon for people |
| and scratches will be of little or no value. If it is in "mint" | | | | to discover old records in their homes and proceed to |
| condition (perfect) or "near mint" condition it will have | | | | spend many dollars (far in excess of the eventual e |
| the highest possible value. A record in "very good" | | | | record) and untold hours in pursuit of a buyer. It can |
| condition should not have any distorted sounds or loss | | | | become very frustrating and sometimes obsessive. |
| of sound quality. "Good" means it may have some | | | | Expectations almost always exceed reality. |
| imperfections, but can be readily enjoyed. "Fair" means | | | | Records can be sold by advertising - in local classifieds |
| it can play, but will have obvious sound impairment and | | | | or collectors' publications, by selling to local used record |
| detract from your enjoyment and the value of the | | | | stores, selling at flea markets or bazaars or by |
| record. Some dealers may have a slightly different | | | | promoting a garage sale. Start by cataloging the |
| grading scale. | | | | records. List the artist, the title of the record, LP, 45 or |
| (3) Content of the recording. Generally speaking there | | | | 78rpm, the record catalog number and its condition. |
| is more interest in music than in spoken word or | | | | Take the list to a record librarian and some used |
| comedy records and the value therefor would be | | | | record stores for offers and indications as to rarity. |
| greater. Certain kinds of musical recordings bring high | | | | Talk to friends and associates. |
| sales prices. Jazz, original Broadway cast and movie | | | | Selling involves prospective buyers visiting your home. |
| soundtracks tend to provide a more active market | | | | Or, you may have to pack and cart the records to a |
| and greater value. Also early rhythm and blues records | | | | store for a price quote and no sale. Damage in transit |
| and the doowop sound are also highly valued and | | | | can make them worthless. Out-of-town prospects |
| collectible. Among classical records the most valuable | | | | requires mail correspondence, packing, insurance, |
| are orchestral performances, then solo instrumental, | | | | carting to the post office, placing postage and sending |
| chamber music and concertos and solo vocal and | | | | C.O.D. The buyer may refuse to accept upon receipt. |
| operatic arias and finally complete operas. To some | | | | ©2007 Howard E. Fischer |
| collectors, whether a record is mono or stereo affects | | | | RECORDS FLEA MARKET |
| the value. Recently a market began developing for | | | | Monthly sales in New York City. |
| rock records of early vintage, especially those of | | | | |