Walt Disney Is Coming To Town

In 1923, twenty-one-year-old Walt Disney arrived in Losmakeshift press pass to sneak into Universal Studios.
Angeles fresh from the disappointment of his firstThis was exciting filmmaking! Men dressed like
cartoon studio going bankrupt in Kansas City. He wentcowboys pretending to shoot at each other and falling
to see his twenty-nine-year-old brother Roy in theover. And a castle. It reminded him of Paris where he
Veteran's Hospital were he was recovering fromhad driven an ambulance for the Red Cross after
tuberculosis. Roy, a former bank teller and navy manWorld War I. Curious, he walked over to question
was concerned about his brother's skinniness. "Hey kid,some workmen about the structure. It turned out they
haven't you been eating? I'm supposed to be the sickwere building the Court Of Miracles set for The
one. So now that you're in L.A. what are you are goingHunchback Of Notre Dame, starring Lon Chaney. Walt
to do with yourself?" "I don't know. I've given up onwho remained star struck all his life, began looking
animation. But I've got to get into show businessaround for the famous actor who was known for
somehow. I'll think I'll try and become a director."Waltplaying characters who were deformed, sometimes
who had filmed some newsreel footage in Kansasarmless and legless with incredible body
City, printed a business card stating he was a membercontortions.Back in the twenties there was a saying, "If
of the press, which he used to finagle his way ontoyou see something unusual on the floor, don't step on it
studio lots. He had a meeting with a secretary atmight be Lon Chaney." Suddenly Walt felt a tap on his
Metro. "Yes, I had my own studio in Kansas City, Ishoulder. Sitting on a horse behind him was the famous
made cartoons and live action films perhaps you heardAustrian director Eric Von Stroheim, known as the
of me?" "No I can't say that I have. And we reallyman you love to hate. Completely bald with a monocle,
have a lot of people coming here looking for work andriding crop and thick boots, which early film directors
no jobs." Metro was in a state of chaos, Rudolphworking in the Hollywood hills wore to protect from
Valentino was demanding more money and they hadsnakes, Von Stroheim made an imposing figure. "What
frozen his salary. Because of the movie The Fourare you doing here". Walt confessed he snuck in and
Horseman Of The Apocalypse (1921) Valentino wasasked if there was any work. But he was talking to a
now an international star who was surviving by huntingman who used to twist the arms of his leading ladies
rabbits in the Santa Monica Mountains. Walt, whowhen he wanted them to cry in his films. "Get out now
would later know great fame combined with moneyand never come back." Years later, when he had his
trouble could have identified, but he had his ownown studio, Walt went out of his way to give young
problems.Turned away at Metro Walt decided to go topeople a chance to show what they could do.With no
Charlie Chaplin's studio in Hollywood and ask the greatother prospects Walt decided to get back into
star for work personally. Chaplin had been Walt's hero,animation but this time he would get some help. One
when Disney was thirteen he had won a two dollarnight in 1923 he returned to the Veteran's Hospital
prize imitating the tramp on stage, not an easy trick.where Roy was feeling better. Excitedly Walt told his
One time Charlie Chaplin had entered a similar contestbrother about his plans awakening other patients in the
and lost.Walt waited all day on the sidewalk for Chaplinward," But I can't do it alone. I don't have your head for
to come out but he never did. Disney didn't know thatnumbers." "I don't know kid, cartoons that's risky. I was
Chaplin buried himself in his work, afraid to go homethinking about getting a safe job at a bank, getting
where his 16 year old pregnant wife Lita and hermarried. I mean I think your talented but. . ." "Ah come
mother were filling his mansion with unwanted relatives,on Roy, forget about a job. We'll work for ourselves.
turning the Beverly Hills estate into the 1923 version ofThis is better than a job, we can do this thing." "I don't
the Jerry Springer show. Or that the liberal Chaplinknow. . ." "Ah please." Walt would not take no for an
was infuriating his United Artist partner theanswer. Roy finally agreed to the new venture when
conservative Mary Pickford by taking forever to finishone of the soldiers in a nearby bed sat up and said,
his films, sometimes emerging from his editing room"Roy will you go with him already so we can get some
with a long beard looking like Robinson Crusoe. Waltsleep!
had his own concerns.Once again, Walt used his